“I started dance very late,” admits Chio. You’d never know. Dancers flock to Chio’s jazz funk classes whether morning, evening, weekday, or weekend. The energy is infectious and the groove feels so good. So how did a girl from Nagoya, Japan become one of the hottest street style teachers in the Big Apple? In short, by stepping out of her comfort zone and saying “yes” to the things that made her happy.
Chio did baton twirling in high school but didn’t start taking dance classes until she was in college. “My teacher from Japan loved New York and would frequently come to visit and take class,” Chio explains. “One year, she let me stay with her and I came to Broadway Dance Center to take classes from Sheila Barker, Sue Samuels, and Frank Hatchett. I was so overwhelmed with excitement…but I couldn’t keep up!”
After graduation, when all Chio’s friends went off to “normal” jobs, she wanted to see if she could pursue dance professionally. “But I knew I didn’t have enough technical training,” she admits. Chio felt torn between whether to move to Tokyo or New York, but ultimately decided to go to NYC, even though it was far from her home and family. She dove into a 6-month training program that focused on ballet, modern, and jazz technique. “I also took a lot of street classes at BDC–especially Bev Brown’s class,” says Chio.
After the training program, Chio joined the dance team for the New Jersey Nets (now the Brooklynettes). “The audition was actually at BDC!” Chio recalls. “That job gave me a lot of confidence as a working professional dancer.”
At the same time, Chio started assisting Bev and subbing for her classes. After about three years, Chio got the opportunity to teach for the Children and Teens Program. She was then offered her own summer class, and finally her own regular slot. “It was the very first morning street class at BDC on Tuesdays and Thursdays at 9:30 am!” Chio laughs. “Most of the street styles have class at night, but BDC had faith in me that I could build this early time slot…and it’s stuck!”
Chio’s class is all her own, though she certainly draws inspiration from her mentors. Chio’s first dance teacher in Nagoya was named Atsuko and taught a class called ‘Aerofunk’–half aerobics and half hip-hop–at the local gym. “Atsuko really taught me how to teach a class with a thorough warm-up, cueing, and choreography.”
Chio’s class is all her own, though she certainly draws inspiration from her mentors. Chio’s first dance teacher in Nagoya was named Atsuko and taught a class that fused hip-hop and jazz. She saw Chio’s potential right away and trained her to teach an aerobics/hip-hop class called “Aerofunk” at a local gym. “Atsuko really taught me how to teach a class with a thorough warm-up, cueing, and choreography.”
In New York City, Bev was a huge mentor for Chio. “Her energy was incredible in every class,” Chio says. “And sometimes she would teach 14 classes per week!” Bev’s signature tough love was just what Chio needed to come into her own. “When I first started taking Bev’s class, she told me I was ‘plain’ and needed to find my funk!” Chio says with a laugh. “Atsuko taught me the basics, but Bev helped me to add my own flavor.”
Now, Chio teaches “Jazz Funk,” a fusion of her background in jazz, hip-hop, and even modern dance. “You have some of the same lines you see in jazz, but with the groove of hip-hop,” she explains. Chio also believes it’s important for street dancers to train in other styles. “Taking ballet and classical jazz will strengthen your center and make you a more versatile performer,” she notes. Additionally, taking a variety of classes is great for cross-training and preventing injury. “Nowadays, young [street] teachers often start class with choreography right away–without any stretch or warm-up. It’s important for dancers to understand how to take care of their bodies and to warm-up for class themselves.”
At BDC, Chio teaches all levels of dance–including Absolute Beginner Workshops. “Beginner levels can be the most rewarding,” Chio says. “I have a lot of understanding because I’ve been there and know that a good teacher can really make all the difference.”
It’s not just Chio’s grooves that get dancers coming back to class again and again, it’s also her patience, positive energy, and passion for teaching. “I teach class the way I want to take class,” explains Chio. “Even if I am having a tough day or feel tired, dancing makes me so happy and I can’t help but have good energy in class. I get so inspired by my students.”
Preparing for her full schedule of classes is tough, but it’s all worth it. “To be honest, choreographing doesn’t come easy to me…it definitely takes time,” confesses Chio. “I choreograph for the experience in class with my students in the studio–their enjoyment is my reward. I don’t choreograph to show off my work on stage or on film. I do it to let my students show off their love of dance.”
“I get so inspired by my students,” Chio repeats. “In any class at BDC, you have people from so many different places. It can be a challenge because, as a teacher, you don’t know what you’re going to get in class. But that makes it exciting and magical because we all get to express ourselves, create, and dance together. Broadway Dance Center is so open and welcoming–it really feels like home.”
“My parents are very proud of me,” explains Chio. “They have every magazine article about me framed up on their wall! Still, they always ask when I’m going to come home. What they don’t realize is that Broadway Dance Center has become a home for me, and for so many other dancers, too.”