“And one and two and three and four!” Tracie Stanfield accents each count with a staccato clap. Dancers whip through double-time chaînés, changing their spot each time to travel in a tight square. It is the culmination of a demanding across-the-floor combination in Stanfield’s contemporary/lyrical class at New York City’s Broadway Dance Center. “I usually try to do style, a turn and a jump across the floor,” she explains. Today’s turns are challenging enough, however, to keep dancers busy for the entire class segment.
This push to get students moving through space with technical precision points to Stanfield’s core philosophy: Dancers should learn technique as movement, not a separate concept. “I feel like they always think technique is this mountain in China, and they’re going to climb it one day,” she says. “But it’s just how you move the body.” Through exercises that focus on deliberate placement, spatial awareness and body control, she trains versatile, marketable dancers who can perform nontraditional choreography with technical integrity.