Finding balance in the journey with Carlos Neto

“I was at the airport in London getting ready to fly to New York City,” recalls Carlos Neto. “I was looking forward to teaching at Broadway Dance Center before I even landed in New York!”

That was back in 2013, and Carlos has been teaching Street Jazz at BDC ever since. But while his flight from London to New York was direct, those years leading up to 2013 were all over the map–literally! Carlos grew up in Portugal and spent the majority of his youth as a child actor on a Portuguese sitcom. He also studied Shotokan, a Japanese style of martial arts, from ages 7 to 19. He then ventured to Wales for college, where he studied journalism and earned both his bachelor’s and master’s degrees. That’s also when Carlos really began dancing. “I would travel four hours on the train to London every week just to take class. I couldn’t get enough of it,” he remembers. Carlos took to street dance quickly–much thanks to his background in martial arts. From a young age, he trained in self-control, discipline, respect, meditation, and style…Putting that practice to music just came naturally. 

Carlos on the Portuguese sitcom, “Medico de Familia” (1998)

Carlos eventually began teaching his own class in London (both as an excuse to get himself to the city each week and also as a way to earn a little extra cash as a graduate student). “One day, Simon Cowell accidentally walked into my class when he was looking for another studio,” Carlos explains. “The next thing I knew I was choreographing for ‘Britain’s Got Talent!’”

Amidst teaching and choreographing throughout the UK, Carlos couldn’t fight the acting bug. In 2012 he came to New York to study acting. “My teacher would say that dancers are the hardest to work with because they have a shell built up.” Breaking that shell wasn’t easy, but it ultimately made Carlos a more engaged performer. “Acting taught me to be okay with my mistakes and imperfections and to be honest in the moment. Being an actor isn’t a mask you put on…And the same is true for a dancer. I am Carlos when I’m dancing, and my technique is just a layer on top of that.

When Carlos officially made the move across the pond in 2013, he was amazed at how warm and supportive the dance scene was in New York City. “There’s a level of professionalism at Broadway Dance Center that sets a different kind of standard,” Carlos explains. “As a teacher, you feel valued and supported. You’re also incredibly proud.”

Humility, hard work, and respect are three qualities Carlos learned early in his martial arts training–and ones that he strives to pass on as a teacher. “It’s so important for dancers to have discipline,” he says. “Notice your body language when you take class, always keep pushing yourself to be better, do what the teacher asks of you, and train in the foundations of the style you’re learning.” Additionally, Carlos emphasizes how critical it is to put good energy into class–whether you’re a teacher or a student. “We all struggle and celebrate together,” he describes. “That’s a powerful thing.”

For Carlos, there are two main characteristics that make a good dance teacher: 1) staying true to yourself, and 2) balancing encouragement and discipline. “Not everyone is going to like you,” Carlos acknowledges, “but you can’t just spoon feed your dancers. To be a good educator, you have to empower your students to become better–that’s your job.” One thing that Carlos is not a fan of, however, is social media. “I understand that it’s necessary for promotional purposes,” he concedes. “But it often becomes a ‘fame game.’ Being a talented dancer with a lot of followers does not necessarily translate to being a good educator. What’s more, class should be a safe space and never feel like an audition where you can’t mess up or fall down.”

Carlos continues trying to juggle it all–teaching, choreographing, and acting, too. “It’s challenging,” he admits. “But you need to find a balance for you. At one point, I was teaching so much that I didn’t have the time or energy to do anything else. Luam once told me that sometimes you need to take one step back in order to take two steps forward. I dedicated more time to working on my reel, getting an agent, and putting myself out there, and that’s when the bigger projects started coming my way. You have to invest in yourself in order to manifest your dreams.

Teaching is an important part of Carlos’s balance. “BDC is my home base,” he says, and no matter where else in the world his talents take him, you can bet Carlos is challenging himself, creating new work, and inspiring dancers with his passion and work ethic.

For Neil Schwartz, BDC is home

This year Broadway Dance Center celebrates its 35th anniversary. In those three and a half decades, BDC has trained and inspired thousands of dancers, and also cultivated professional performers and talented teachers. For one such eager student-turned-adored teacher, Neil Schwartz, Broadway Dance Center has always been home. 

“I’m the baby of the family,” says Neil. “I always mimicked what my siblings did, and I started watching MTV at a young age.” Neil vividly remembers being inspired by the music videos of Paula Abdul and Janet Jackson. “I’ve always loved female entertainers,” he explains. “There’s something so bad-ass and powerful about strong female characters.”

At 7 years old, Neil began taking dance lessons at a local studio on Long Island. A family friend recommended Neil train at Broadway Dance Center. The rest is history!

12-year-old Neil would take class every week from Bev Brown and Chio. He continued taking classes throughout high school before heading to the University of Maryland to pursue a degree in Psychology. “I knew I loved helping people,” says Neil. “But I didn’t know what I wanted to do with my life. I felt very lost.”

On a spring break vacation, however, Neil’s life completely changed. “At 21, I suffered a blood clot in my right leg that caused pulmonary embolisms in my lungs. I was very overweight at the time, and doctors told me I had a 50/50 chance to live. At that traumatic moment, I vowed to turn my life around.”

Neil’s health journey began with one simple thought, “As soon as I get out of the hospital, I have to dance,” he recalls with a solemn conviction. “I have to do what makes me happiest.” After graduating college, Neil returned home to Broadway Dance Center to participate in the Fall Intern Program (now the Professional Semester). “It was a huge eye-opener,” Neil remembers. “It was scary in a good way. It was my first taste of the ‘industry,’ and I realized I had so much to learn.” Neil trained with his mentors, Sheryl Murakami, Rhapsody James, Luam, and Eric Jenkins. He also credits ballet teachers, Dorit Koppel and Peter Schabel, for helping him accept and understand his body. 

It was during his internship that Neil also began choreographing for BDC’s Student Showcases. “The BDC Intern Program guided me in a lot of ways,” says Neil. “I realized my place in the industry was as a choreographer and teacher.” Neil admits he’s happiest when he’s creating, connecting, and inspiring others to be themselves. His goal…to teach at his home, Broadway Dance Center. The journey wasn’t easy. As a former student, Neil had to prove himself not only to the senior faculty at BDC, but also to himself. “It took me a year and a half to sub at BDC and another year and a half before I got my own slot,” he recalls. “Luam, Brian Green, Rhapsody James, Candace Brown, and Eric Jenkins all took my class. It was so intimidating. But I had the determination and patience to stick it out. I know that fight made me a stronger teacher.”

This year, Neil celebrates his 10-year anniversary teaching at BDC. “I don’t teach anywhere else,” Neil reveals. “I’m grateful to have been raised at Broadway Dance Center. This is my home.” Neil teaches all levels of Street Jazz, a style of dance inspired by the culture of hip-hop and fused with elements of jazz funk and contemporary influences. “I challenge my students both musically and emotionally,” explains Neil. “Music is like therapy. It impacts me in such a positive, energetic way. I encourage my students to connect to the music in their own way and to exude those feelings in their movement.”

Last year, Neil helped launch “BreakThrough: The Series,” an intimate, intensive workshop where dancers practice performance execution and gain confidence. “This was by far the best workshop I’ve ever been a part of,” Neil gushes. “We became a family in those two days. Dancers get the chance to be filmed, watch the footage, receive notes, and do it again. It’s an incredible opportunity to experiment, learn, and grow. I hope to host another BreakThrough workshop soon!”

For Neil, dance is all about communication. “Whether in the classroom or in an audition, it’s not about perfection,” he says. “I want to see your blood, sweat, and tears. I want to see why you have to dance–how you connect and communicate through your movement.” Neil’s ultimate test? “If my mom can understand, I know I’ve communicated through my choreography,” he laughs.

This idea of connection goes far beyond the “steps” Neil teaches in class. “I try to create a safe environment where dancers feel both challenged and empowered,” Neil explains. “For me, students are number one and I try to give my attention and energy to each dancer. I want them to know, ‘you matter.’” As a teacher, there’s no greater feeling for Neil than watching students achieve goals, push past limits, and break free from adversity. “I had a student once who told me my class empowered her to leave an abusive relationship.” That’s the sign of a truly great teacher, making an impact that goes far beyond the studio.

Whether you’re embarking on your own dance, professional, health, or emotional journey, Neil has the same advice: “Surround yourself with a good supportive system of friends and mentors. There is no shame in needing help. Dance can be the best therapy.” And remember that Broadway Dance Center is always your home away from home.

From summer to fall: Heading back to school fresh

It’s always a bit sad when we sense that summer is coming to an end. Perhaps you had an incredible experience at a multi-week dance intensive, or ventured to various workshops to learn new things, or maybe you had some down time with your friends and family. No matter how you spent your summer, it’s almost time for back to school, and back to dance. This time of year can feel bittersweet – you’re excited to start a new year of dance, but you’re also grieving over the soon-to-be-gone dog days of summer. 

Well, these Broadway Dance Center teachers are here to help you start your new school year feeling fresh and inspired! 

International students at Broadway Dance Center.

BDC allows international students to shine

Broadway Dance Center (BDC) is synonymous with the New York dance scene, an institution recognized as a place to truly experience dance to the fullest. With the motto, “Inspiring The World to Dance”, BDC welcomes students from all over the world to its studio in the heart of the Broadway Theater District, to immerse themselves in training in all styles and genres.

BDC runs an International Student Visa Program (ISVP), allowing international students to obtain an M-1 Visa to attend classes for a three-month, six-month or one-year period. Dancers from over 96 countries have graced the halls of BDC, creating a unique community that truly embodies diversity and inclusion. 

Stepping into your purpose: A chat with Sheila Barker

“Gah, gah, reach–ball change. Now, one-two-three hundred turns!” If you haven’t already guessed, today we’re featuring the woman, the myth, the legend: the one-and-only Sheila Barker. Whether she’s teaching her weekly drop-in jazz classes, mentoring training program students, hosting classes for BDC’s annual Dance Teacher Workshop, leading her sought-after Summer Workshop, or just greeting everyone (by name!) as she roams the halls of BDC, Sheila seems to inspire every dancer she meets. 

Al Blackstone’s “Freddie Falls in Love” comes to The Joyce

Broadway Dance Center has always been Al Blackstone’s home away from home. His teachers, mentors, and experience as a student helped shape him into the educator he is today. Since his first class in 2011 with just a few students, Al now packs the room no matter when he’s teaching. Beyond that, his courage to share his talent, vulnerability, charm, and lovable goofiness has created an undeniable ripple effect throughout the industry, challenging our preconceived notions about what ‘musical theater’ means, and how we can cultivate the energy of a dance class. Being a teacher or performer doesn’t mean masking who you are to portray someone or something else–quite the opposite, actually. It requires tapping even deeper into who you are in order to create a more meaningful connection with others, whether it’s your audience, dance partner, students, or fellow peers in class.

Belgian Ballet Dancer to Gay Icon: A closer look at BDC’s Salim “Slam” Gauwloos

It’s Pride month and the 50th anniversary of the Stonewall riots. New York City–especially Broadway Dance Center–is celebrating love loud and proud by walking in the Pride March again and hosting special Pride March fundraiser classes. Amidst all this joy, pride, and celebration, it’s important to remember how far we’ve come (and also how far we still have to go) in the fight for LGBTQIA+ rights and respect.  

The arts reflect life, and the dance world has often ignited social change (Martha Graham and Alvin Ailey are but two choreographic changemakers that come to mind). It’s not quite a surprise, then, to know that the dance community had a huge influence on making “gay” visible, accepted, and mainstream.

Musical theatre masterclass. Photo courtesy of So Danca

BDC gears up for annual Musical Theater Weekend Intensive

Broadway Dance Center is thrilled to once again host its annual Musical Theater Weekend Intensive on June 15 and 16. This incredible two-day workshop features closed classes, professional seminars, mock auditions and exclusive panels for the aspiring Broadway performer. 

Students (advanced dancers ages 14-29) will learn choreography from some of Broadway’s current musical hits, the art of crafting a resume, singing and acting techniques to ace any casting, how to land an agent, and what it takes to stand out at auditions. The weekend will culminate with a mock audition where students will get individualized feedback from industry professionals.

BDC Pride March

BDC in the 50th Annual New York City Pride March

From its founding, Broadway Dance Center (BDC) has sought to act as a safe space for anyone and everyone to express themselves just as they are, through the art of dance, shares BDC Public Relations Director April Cook. In this way, its goals align with those of the New York City Pride March — in working toward a world in which everyone can feel accepted and supported for who they are. For the fourth consecutive year, members of the BDC community will participate in the March under BDC’s name this June 30.