Groove is in the heart: A chat with BDC’s Chio Yamada

“I started dance very late,” admits Chio. You’d never know. Dancers flock to Chio’s jazz funk classes whether morning, evening, weekday, or weekend. The energy is infectious and the groove feels so good. So how did a girl from Nagoya, Japan become one of the hottest street style teachers in the Big Apple? In short, by stepping out of her comfort zone and saying “yes” to the things that made her happy.

Chio did baton twirling in high school but didn’t start taking dance classes until she was in college. “My teacher from Japan loved New York and would frequently come to visit and take class,” Chio explains. “One year, she let me stay with her and I came to Broadway Dance Center to take classes from Sheila Barker, Sue Samuels, and Frank Hatchett. I was so overwhelmed with excitement…but I couldn’t keep up!” 

After graduation, when all Chio’s friends went off to “normal” jobs, she wanted to see if she could pursue dance professionally. “But I knew I didn’t have enough technical training,” she admits. Chio felt torn between whether to move to Tokyo or New York, but ultimately decided to go to NYC, even though it was far from her home and family. She dove into a 6-month training program that focused on ballet, modern, and jazz technique. “I also took a lot of street classes at BDC–especially Bev Brown’s class,” says Chio.

After the training program, Chio joined the dance team for the New Jersey Nets (now the Brooklynettes). “The audition was actually at BDC!” Chio recalls. “That job gave me a lot of confidence as a working professional dancer.”

At the same time, Chio started assisting Bev and subbing for her classes. After about three years, Chio got the opportunity to teach for the Children and Teens Program. She was then offered her own summer class, and finally her own regular slot. “It was the very first morning street class at BDC on Tuesdays and Thursdays at 9:30 am!” Chio laughs. “Most of the street styles have class at night, but BDC had faith in me that I could build this early time slot…and it’s stuck!”

Chio’s class is all her own, though she certainly draws inspiration from her mentors. Chio’s first dance teacher in Nagoya was named Atsuko and taught a class that fused hip-hop and jazz. She saw Chio’s potential right away and trained her to teach an aerobics/hip-hop class called “Aerofunk” at a local gym. “Atsuko really taught me how to teach a class with a thorough warm-up, cueing, and choreography.”

In New York City, Bev was a huge mentor for Chio. “Her energy was incredible in every class,” Chio says. “And sometimes she would teach 14 classes per week!” Bev’s signature tough love was just what Chio needed to come into her own. “When I first started taking Bev’s class, she told me I was ‘plain’ and needed to find my funk!” Chio says with a laugh. “Atsuko taught me the basics, but Bev helped me to add my own flavor.”

Now, Chio teaches “Jazz Funk,” a fusion of her background in jazz, hip-hop, and even modern dance. “You have some of the same lines you see in jazz, but with the groove of hip-hop,” she explains. Chio also believes it’s important for street dancers to train in other styles. “Taking ballet and classical jazz will strengthen your center and make you a more versatile performer,” she notes. Additionally, taking a variety of classes is great for cross-training and preventing injury. “Nowadays, young [street] teachers often start class with choreography right away–without any stretch or warm-up. It’s important for dancers to understand how to take care of their bodies and to warm-up for class themselves.”  

At BDC, Chio teaches all levels of dance–including Absolute Beginner Workshops. “Beginner levels can be the most rewarding,” Chio says. “I have a lot of understanding because I’ve been there and know that a good teacher can really make all the difference.” 

It’s not just Chio’s grooves that get dancers coming back to class again and again, it’s also her patience, positive energy, and passion for teaching. “I teach class the way I want to take class,” explains Chio. “Even if I am having a tough day or feel tired, dancing makes me so happy and I can’t help but have good energy in class. I get so inspired by my students.”

Preparing for her full schedule of classes is tough, but it’s all worth it. “To be honest, choreographing doesn’t come easy to me…it definitely takes time,” confesses Chio. “I choreograph for the experience in class with my students in the studio–their enjoyment is my reward.  I don’t choreograph to show off my work on stage or on film. I do it to let my students show off their love of dance.”

“I get so inspired by my students,” Chio repeats. “In any class at BDC, you have people from so many different places. It can be a challenge because, as a teacher, you don’t know what you’re going to get in class. But that makes it exciting and magical because we all get to express ourselves, create, and dance together. Broadway Dance Center is so open and welcoming–it really feels like home.”

“My parents are very proud of me,” explains Chio. “They have every magazine article about me framed up on their wall! Still, they always ask when I’m going to come home. What they don’t realize is that Broadway Dance Center has become a home for me, and for so many other dancers, too.”

A day in the life of an ISVP

As I walk through the winding halls of Broadway Dance Center, whether its 9am or 9pm, my ears are filled with the the most beautiful languages from around the globe – Australian accents, Japanese hip hop rehearsals, and Swedish jokes that I wish I could understand.  The International Student Visa Program (ISVP) invites dancers from all over the world to experience unparalleled training at Broadway Dance Center.  ISVP students choose a program of 3 months, 6 months, or 1 year of intensive study at BDC – a schedule of 12 classes per week, closed master classes, immersion events, and performance opportunities.

Interested in becoming and ISVP?  Learn more about this incredible program, and take a look at “A Day in the Life” of some of our current ISVP students!

Maria Malmstrom

Hip Hop – Sweden

8:30am – Wake up and eat my usual Swedish breakfast of crisp bread, egg and caviar.

9:30am – Hop on the subway to Broadway Dance Center.

10:30am – Voguing class with Benny Ninja!

12:00pm – Eat lunch and chill with my ISVP friends.

3:00pm – Ballet with Peter Schabel, such a great teacher.

4:30pm – World jazz with Cecilia Marta.  This class is life-changing!

6:00pm – Take some time to stretch out my sore muscles.

8:30pm – Voguing rehearsal to the Performance Project.

11:00pm – Head to Brooklyn Bowl with some friends to dance our hearts out some more!

Pasqualino Beltempo

Ballet – Italy

6:45am – Wake up and eat some cereal for breakfast.

7:15am – Get ready and pack my backpack.

7:45am – Take the Q train from Brooklyn to Manhattan.

8:30am – Hope off at 42nd Street and grab a coffee as I head to BDC.

9:00am – Theater master class with Ricky Hinds.

10:30am – Ballet with Dorit Koppel.

12:00pm – Ballet with Dorit again!

1:45pm – Yoga with Amber Paul. Om.

3:00pm – Take a shower.

3:15pm – Take the subway home to eat and relax.

7:00pm – Head to Columbia University for a workshop with Donna McKechnie (the original Cassie from “A Chorus Line”)

11:00pm – Back home after a long day!

Maria Del Rosario Aviles

Contemporary – Bolivia

8:30am – Wake up, make breakfast, and prepare lunch and snacks for the day.

10:00am-2:00pm – Pushing Progress (contemporary training program) at DANY Studios.

2:00pm – Time to have a late lunch.

3:00pm – Hip hop class with Jared Jenkins.

4:30pm – World jazz with Cecilia Marta, one of my favorite teachers and human beings!

6:00pm – Eat some snacks and take a quick nap on the BDC bleachers.

7:30pm – Wacking with Princess Lockerooo.

9:00pm – Contemporary with Dana Foglia, another of my favorite teachers and choreographers!

10:30pm – Head home, shower, make a yummy milkshake (banana, strawberry, honey, ice cream, and milk!), spend time with my roommates.

1:00am – Finally go to asleep!

Chris Stuewe

Hip Hop – Canada

7:00am – Wake up, prepare lunch, and pack bag for the day.

7:45am – Eat breakfast and leave for BDC.

8:00am – Rehearsal for the Performance Project.

11:00am – Contemporary with Tracie Stanfield.

12:30 – Cool down and stretch on my own.

1:00pm – Grab lunch and return to BDC to eat and rest.

4::30pm – Hip hop with Luam.

6:00pm – Rehearsal with Autumn Dones for the Student Showcase.

7:30pm – Contemporary with Autumn Dones, too!

9:00pm – Hip hop with Brian and Scott Nicholson.

10:30pm – Leave BDC and walk home.

11:00pm – Shower, eat, check e-mail and Facebook, watch TV, and then go to bed.

Nallely Aguirre

Jazz – Mexico

7:00am – Wakeup.  Eat a bagel with cream cheese and a glass of orange juice for breakfast.

7:15am – Take a shower and get pretty for class.

8:20am – Walk to BDC!

9:00am – Lindy Hop Master Class.

11:00am – My favorite class with Tracie Stanfield!  We danced to “Shelter” from “The XX.”

12:30pm – Head home for a nap. Zzzzz

2:30pm – Grab lunch at Whole Foods (Union Square) with my fellow ISVP, Andy Caballero.  I’ve got a mango juice, some fruit, and a sandwich.

3:30pm – Shop at Forever 21 to find a costume for the April Performance Project.

4:15pm – Walk around Union Square (Barnes and Noble, dog park, etc.).

6:00pm – Take the subway back home to eat dinner and relax.

Megumi Nakao

Jazz – Japan

9:00am – Wakeup, eat breakfast (some cereal and black tea), and chill out.

12:00pm – Stiletto Heels class with Dana Foglia.

2:30pm – Jazz class with my mentor, Michelle Barber.

4:30pm – Pilates with Joy Karley.

6:00pm – Dinner with my ISVP friends from Japan at Izakaya (Japanese restaurant).

7:30pm – Rehearsal for Autumn Dones’ piece for the Student Showcase.

9:00pm – Home for bed!

On Tuesday, I wake up 9:00, eat breakfast and chill out, and go to take Dana’s heels, Michelle’s Jazz, Joy’s Pilates, rehasal of Autumn’s piece and sometimes go for dinner with JP friends afterwards